video

(22) What's Up, Doc?

I got hooked on documentaries of the nature variety when I was about eight; my great-grandmother bought me a two-part VHS series called “Life in the Wild” (which you too can buy on eBay for just $3.25). It wasn’t exactly the greatest nature doc ever, and I’m pretty sure the filmmakers used unethical tactics in it at some points, but before I watched that, I’d never heard of Kakadu, or Kruger, or the Camargue. PLUS, one of the sequences was shot in the Everglades, and as a kiddie Floridian (Flor-kid-ian! Ha! (please don’t judge me)), I was very happy to see my state represented (even though I still think they threw a rat into the water for a gator to eat).

In 2000, when I was thirteen, a Boston affiliate produced a series called “Wild Europe,” which I found equally fascinating, for the simple reason that nobody ever talks about European wildlife, except to mention hedgehogs in England and wolves in Romania. All good documentaries should shed light on the unknown or unexplored; that’s just good journalism. The program (sadly) never been released on DVD, but, again, if you’re interested, you can buy the complete six-VHS set on Amazon. Note that the quality of this one is, shall we say, a step up from the previous one, as denoted by its pricetag.

When I got to high school, I was introduced to the BBC, which takes nature documentaries right up to eleven on the Nigel Tufnel scale. I’d say that The Blue Planet, which I first watched in my Marine Bio class, is the best of the bunch…except that David Attenborough, narrator extraordinaire, and his team have also produced the fantastic “Life…” series. I haven’t seen all of this series, unfortunately, but if they’re all anything like “Life of Mammals,” which I own, I assume they must be pretty groundbreaking and excellent (that’s the best thing about BBC pieces—they’re not content to just go out, sit in a blind and film…they have to get new material that nobody has EVER filmed before. Hence, the feature on the inside of a platypus’ den, and the one about cave elephants. CAVE ELEPHANTS!)

The whole point of this long discussion was that I discovered over the weekend that putting nature documentaries on while I work on my thesis makes for excellent background noise. Maybe it’s the British accents, or the simple fact that I’ve seen them before, so I don’t get distracted trying to follow along with a plot. The only problem with this plan is that I don’t have my own copy of Planet Earth, which is also a strong contender for the title of BBC’s Best. This is a serious oversight on my part. I’ve seen all of the segments, thanks to borrowing friends’ copies, so it fit my ‘not-too-distracting’ criteria…but I didn’t have the actual set. Ugh.

Fortunately, 9th Street Video (which awesomely kept its name despite moving to Hitt Street) came through for me.

My living room table is messy.

And when I do have time to invest in watching a NEW documentary series…I’m turning towards everybody’s favorite photo pan-and-zoom man, Ken Burns.

Yes, he seriously set back multimedia production, but his Civil War piece alone makes up for this problem. I’ll let you know more about the Baseball one when I finally finish it. Then I can start on the National Parks set, and by then, well, hopefully the BBC will have something new out.

Long Time Coming: The 30-Day Job Profile

Our last two assignments in Picture Story are the video job profile and the 30-Day Story. I give to you now the 30-Day Job Profile (I also did the 30-Day Character Profile earlier this semester), which has been in the works since the second week of October. I wish I could just submit this for the actual end-of-term project, since it’s been a real marathon trying to find a subject who’ll stay with the project…but oh well.

Here is a story about a team of ocularists (people who make artificial eyes) in St. Louis. I hope it manages to showcase without being boring, and if it IS boring, please tell me so I can make it better. As always, making the final project better is the ultimate goal.

[youtube=http://www.youtube.com/watch?v=0B7aLuA6sSQ]

More on this whole profile saga is under the cut, as I’m guessing people don’t want to read my ramblings-on.

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Character Profile: Re-Edit

We got to re-edit our character profiles in FinalCut, which gave me a chance to go back and clean up all of my terrible audio from the first go-around. It’s still far from perfect, but wayyy better than before. I had two more shoots to incorporate into the profile, one of which was an all-day affair (see previous post), which made for an interesting re-edit since I was trying to keep the basic narrative the same. Here’s hoping it worked okay.

[youtube=http://www.youtube.com/watch?v=jDLi2j0gVGM]

Photo in Society: Icons! (and a video)

Okay, so I picked that picture as my paper topic- or rather, that’s one of the incarnations of the photo. The other is nearly identical (except for being in color), was taken by Neil Leifer of Sports Illustrated, and gets way more attention than poor John Rooney’s ever did, despite the fact that Rooney’s was the one that all the newspapers ran in the first place (in fact, according to the Internet, John Rooney might as well not exist. I spent all weekend trying to find something, anything, about the man besides the fact that he was an AP photographer. It’s the only time Google has ever failed me).

John Rooney/AP

Anyway, the Leifer image was used in 2004 as part of the Adidas “Impossible is Nothing” campaign (interestingly, they converted it to black and white, so it look even MORE like Rooney’s photo), which a) helps boost the whole ‘icon’ argument (woo!) and b) lets me segue into a shameless plug for one of the greatest commercials ever.

[youtube=http://www.youtube.com/watch?v=LFabpG4Y-Uo]

Which is the entire point of this post, really. I just wanted an excuse to link to the video, because I love it so much.

Classsmate Portrait: Video

As part two of the epic classmate project adventure, we had to set up video lighting (from constant sources, as opposed to strobe), shoot about thirty seconds of footage, and then edit everything using FinalCut Express.

It was MUCH easier to set up the lighting for this than for the SLR camera part, which was a relief. I think I prefer using constant sourcing. As an added bonus, I thought I’d overexposed a little bit, but after the computer capture was finished, the lighting turned out pretty on point.

Although I like the lighting setup, I messed up the audio controls, and recorded in stereo where I should have used mono (my microphone was on mute, and I didn’t realize it until after the fact). The result is a strange echo effect…argh

Anyway, here’s Matt talking about one of the (tastier) strange things he’s eaten (I had to edit out the beginning, where he mentions eating dog, cat, and donkey, but I’m guessing those didn’t taste as good as the coconut concoction) :

[youtube=http://www.youtube.com/watch?v=MdqX_QtVoNw]

The facial expressions are just plain awesome.